female photographer

Pregnancy portraiture: coming full circle

There are endless facets of wonder to pregnancy and yet, physically and visually, it’s a constant challenge. Carrying your child inside you, cohabitating in the most intimate way, feeling its character while still invisible to everyone else… 

There is a whole market for pregnancy portraits, belly casts, and so on, but I have never been drawn to it myself.

pregnancy portrait, female friendship, empowering portrait, women, female photographer, female artist, Berlin, black and white photography

Honestly, I have never really photographed my own – or any other – pregnancy before. But, recently I encountered a moment in my life where it was conceptually impossible not to do so. To go back to the beginning: Claudia de la Torre is a dear friend and I have always loved working with her. We met when she was a student at the Karlsruhe Art Academy and connected instantly through our shared passion for artist books, and she founded her own publishing house, backbonebooks, in 2011. A Mexican artist based between Berlin and New Mexico, Claudia has made an impressive career as an artist, publisher, and creator of artist book workshops worldwide.

And through 2015 and 2016, I was lucky enough to have her by my side as my collaborator, model, friend, publisher – and babysitter!

plaster-cast-women-art-black-and-white-photography-female-photographer-female-friendshipTogether, we would make a body cast in the living room, then she would go read a book to my son and daughter. We would shoot slides on the balcony, then cook a meal together. Claudia has been part of my family ever since. To bring this story full circle, in 2016, we collaborated on the artist edition book of ‘Das Rheinrauschen’, which we launched during my solo show in Basel, including a sample of the river perfume I had created as a roll-on scent. Then in 2019, Claudia showed my work in Tokyo and published my artist book, Zitronen-Wal-Seife. And, now, in 2023, this amazing woman – whose belly I had cast in my living room years ago – is carrying her own child and becoming a mother.

art photography, black and white photography, female photography, still life, lemon, food photography When Claudia told me she was expecting, I instinctively knew that to witness her pregnancy via portraiture was absolutely essential, and wonderful. What is special for me about these portraits, on an aesthetic level, is that the shape of the belly is being created by her own hands. It’s the hands that actively define the space of her pregnant belly, rather than the belly just showing itself.

pregnancy-portrait-pregnant-woman-friendship-celebration-black-and-white-photography-beautiful-womanAnd so, obviously, I want my pregnancy portraits to serve as beautiful memories of this very particular time for Claudia and her dearest ones.

But I also see these portraits as an invitation to others to shape their own image during important moments of their lives – moments that so often slip away from us in our everyday lives.

And I am happy to listen, support, and assist in this very process.

 

Family portraiture: capturing the beauty

Family portraiture is a fine art.

It’s about getting close, but still keeping that little bit of space. In fact, I believe it’s the perception of a related outsider that best captures family moments: very much present, yet at that crucial distance. 

grandmother portrait, family portraiture, monochrome portrait, artistic portrait, female photographer, female artist Within my own family, the photographic act rarely takes centre stage, it’s more like briefly coming up for air or jotting down a quick note, while being immersed in the flow of things. So, getting round to capturing family portraiture always needs a specific type of urgency in order to make it happen, like when we gathered to photograph my grandmother shortly before she passed away.

During this particular session, in front of my great grandmother’s family home, she urged me to photograph her sons for her. To create the desired set-up with my uncles, I needed my grandmother’s personal commission.

And, I have to say, it was a truly empowering experience for me to be directing them as a professional photographer after having always been their little niece.musician portrait, family portraiture, monochrome portrait, artistic portrait, female photographer, female artist  

It was a brand new dynamic and the resulting images give just a trace of a specific moment in time that will never occur again.

Because I have a deep respect for family constellations and the art called for in capturing their representation, I was very happy and honoured to be commissioned for family portraiture after a friend’s daughter’s confirmation last autumn. Coming into this group of family members and close friends, it felt very precious to be trusted with such an important job. The process was absolutely magical – and a lot of fun for everyone involved.

I could feel that I became a witness and a vessel for what they wanted to express and share with one another.

portraits of women, family portraiture, baby portrait, artistic portrait, female photographer, female artist For my 2012 solo show at the M-Museum in Leuven, Belgium, I took parallel exhibitions as starting points for my installation Poem to be sung. One was the Sol Lewitt retrospective from which I derived the shape alphabet, and the other was a Madonna sculpture from the museum’s Medieval collection. Ultimately, my Artist with removed objects and child  photograph is a dialogue of both these influences, taking a unique place in my growing collection of portraits of women. Plus, I had a 3 year-old boy of my own at home while preparing for this show – my first big solo show in a museum.

So this photograph most definitely captured my creative process in a moving and personal way too.

woman portrait, family portraiture, monochrome portrait, artistic portrait, female photographer, female artist Ultimately, what I’ve found through my empowering photography work, is that people want to be shown with their closest family members. For example, I was working on a portrait of my godmother, a Finnish priest living in Vienna. After our session, she called for her sons, and then her husband, to come in too. It felt to me as if her self image was only complete when surrounded by her loved ones. We are social animals after all. 

And, as for me – the photographer in the room – what’s special and satisfying is the inherent trust that I sense being extended towards me. Being in such a situation gives me the confidence to involve myself, respectfully, and arrange beautiful family portraits according to what feels right.